Our History

White River Craft Center History

The main campus of the White River Craft Center (WRCC) is located in the historic Kimball House of Randolph Vermont. Since the inception of the WRCC, our mission has been to promote arts and craft education and restore this beautiful building as a place for our community to connect.

Kimball House

Built in 1887 as the summer residence of Robert J. Kimball, the Kimball House has witnessed more than a century of Randolph history. Known originally as Montague Place, the building later served as the Kimball Inn, the Green Mountain Inn, and eventually Tranquility Nursing Home. Each chapter reflected changing community needs while reinforcing the building's role as a place where people gathered, worked, lived, and connected. By the late twentieth century, the historic structure faced significant deterioration. Its preservation and restoration would become one of the White River Craft Center's most ambitious and transformative community projects.

Weston St Wood Shop

Among the earliest creative spaces at the White River Craft Center were the ceramics and stained glass studios. These studios introduced hundreds of community members to hands-on artistic practice through classes, workshops, open studio access, and collaborative projects. For many local residents, they provided a first opportunity to explore the arts in a welcoming environment. The studios became places where technical skills, creative expression, and friendships developed side by side. Their success helped establish the Craft Center as an accessible destination for arts education and creative exploration in central Vermont.

WRCC Timeline

Kimball House Historic Timeline

The main campus of the White River Craft Center (WRCC) is located in the historic Kimball House of Randolph Vermont. Since the inception of the WRCC, our mission has been to promote arts and craft education and restore this beautiful building as a place for our community to connect.

25th Anniversary Timeline

Study groups provide an opportunity to learn collaboratively with other artists. Organized around a broad topic, like working with color, natural fibers or weave structure, your facilitator provides a brief talk each session along with creative prompts and resources. Students follow up with their own research and creative exploration at home, and gather again at the next session to share what they’ve learned. This model provides participants with loose structure and guidance, which they apply to their own specific textile interests. For artists who appreciate collective knowledge-building or open-ended prompts, study groups provide structure, fellowship and gentle accountability.

Kimball House

Kevin Harty

Kimball Restoration

Building Opportunity

The Arts Community

Community Connections